Shallow Focus
- Selective focus
- Faible profondeur de champ
Only a thin slice of the scene is sharp.
Opens a video model with the prompt in it. The price is on the page before you sign in.

What it is for
One thin slice of the scene is sharp and everything else falls away. The frame makes the choice for the audience, which is why the look reads as intimate even when the subject is doing nothing.
It also hides things. A cluttered room, a crowd, a background you cannot control: all of it dissolves into tone, and the shot becomes about the person.
How it works
Depth of field shrinks as the aperture opens, as the lens gets longer and as the camera gets closer. An 85mm at f/1.4 on a full frame sensor holds a band of sharpness a few centimetres deep at portrait distance.
Sensor size matters as much as the aperture. A larger sensor needs a longer lens for the same framing, and the longer lens is what thins the plane, which is why phone footage looks deep even wide open.
Because the band is so thin, focus has to be placed on purpose. On a face it goes on the near eye. On an object it goes on the edge nearest the camera.
When to use it
Use it for close work on a face, for a detail that has to be lifted out of a busy background, and for any shot where the location is a liability.
Move off it when the audience needs the room. Shallow focus removes the geography, so a scene cut entirely this way leaves nobody sure where anyone is standing.
Told apart from its neighbours
Bokeh is what the out of focus part looks like, and shallow focus is the decision that produced it. You can have shallow focus with a plain grey wall behind and see almost no bokeh at all.
The test is whether there are point lights in the background. Bokeh needs them to render as discs. Shallow focus needs nothing but a wide aperture.
On film
Hoyte van Hoytema shot Her (2013) close and long, so Joaquin Phoenix stays sharp inside a city that is mostly warm blur. The film spends almost all of its running time on one face with the world dissolved behind it.
- Her (2013)
The prompt
Replace the blanks, keep the rest. Then run it on a video model.
shallow focus on <subject>, very thin plane of sharpness, everything nearer and farther falling soft, wide aperture
What goes wrong
The plane lands in the wrong place, usually on the ear or the shoulder. Name the one thing that must be sharp, which on a face is almost always the near eye.
The second failure is a background that is soft but still busy. Say the background is fully dissolved, or give it a simple tone to dissolve into.
Leave out
deep focus, small aperture
Watch for
Name the one thing that must be sharp. Usually it is the near eye.
Questions
Shoot it
Pay for the one run. No subscription, and the price is on the model page before you sign in.




